CRITIQUING BILLY COLLINS

So, I just got back from USC this past weekend after my month at the USC/LARB publishing workshop, which was an absolutely amazing experience. The people at the Los Angeles Review of Books are all extremely outgoing and kind. They clearly care about the value that every publisher brings to the table—we heard from smaller presses like Angel City Press and Tia Chucha, as well as massive corporations like Netflix and Amazon, and all the magazines, authors, and so on in between.

It was this constant dedication to diversity that made me wish to discuss the work of Billy Collins today briefly. Specifically, I wanted to talk about the poems in The Rain in Portugal, since I just finished it and it is fresh in my mind still. I should preface this with A) that I have not read all his work—in fact this is the only collection of his work that I have read, so take what I say with a grain of salt and B) that I really enjoyed his work. Like it was some of the most inspiring, thought provoking poetry I have ever read.

With that in mind, I wanted to talk about the issue I have with the collection. The issue I have found is that, in many cases, Collins provides only a male-centeric narrative to his poems. Under the Stars, Cosmology, and A Day in May (also titled “May Day”) I think illustrate this issue the best. Under the Stars portrays a person, who is most likely a man, pissing under the stars. While the overall message is to find tranquility in the most unusual of areas, the emphasis on fraternity creates a sort of in-group versus out-group mentality, where the reader may feel alienated if they lack a penis.

Similarly, Cosmology paints the image of the world resting on a variety of unusual pictures (the infinite backs of turtles, for example). Collins decides that placing the world on the back of Keith Richards, holding a bottle of Jack Daniels and smoking a Marlboro cigarettes is the ideal place to rest the world. Of course, this is meant to create humor, but the decision continues to uplift the male narratives. Which isn’t necessarily bad, until Collins begins to represent women to the contrary.

In Collins work, women often become objects. A poem is personified as a woman, for example. And truthfully, it is extremely romantic and lovely to read. But it also can be one-dimensional. One example of this is in A Day in May, in which Collins highlights a girl telling him “have a nice day.” In his brief commentary afterwards, he mentions this statement as being “an irritant” because the girl could not possibly know how good the day was already. Yet to describe her as an irritant seems unfair. She was simple a cashier doing her job, and being polite about it at that. This representation presents women as “lesser” people. Which I think is on the border of cruel.

Anyways, that’s just my opinion. I still adore his poetry—I just ordered a couple more of his collections. But I still think that we can do better—or at least should be aware of the problems that exist even at the highest branches of poetic form. What do you think? Let me know in the comments!

 

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NEWLYWEDS IN FLIGHT

A quick intro before this short poem today. I wrote it as a response to “The Bard in Flight” by Billy Collins. You should definitely read that, too. 🙂 Ok, anyways, here it is:

 

Newlyweds in Flight

On the plane,

across from Billy and the Bard

was a newlywed couple

voyaging on their honeymoon travels,

 

and when the shock of turbulence

caused an echo of whispered fear,

he was comforted that his hand

held more than just history.

——

 

Hello there!

 

Did you like this poem? Let me know by leaving a like and a comment!

Want to keep up-to-date on all my posts? Follow my blog!

Want to see more of my work? Check out my blog’s site!

 

Follow me on social media! 🙂

Instagram: @cassadyblog

Twitter: @cassady_orha

Facebook: @cassadyorha