A PERFECT MORNING

I sat, reading Basho, as the sunlight danced across the ever flowing stream. The morning that morning seemed to me the most perfect morning to ever exist. The chirps of the crickets were growing dim as they made their way to bed, while the butterflies stretched their wings for their morning flight. My eyes followed one of them, as it listed up and down, back and forth, around the dip in the stream. The stream crashed down there, creating a soft mist, like it were imagining itself as the waterfall. The breeze carried a hint of sweet moisture, as though Zephyrus himself had kissed the day.

I found my mind drifting about to the world around me. The rocks, the trees, the grass—each more alive and beautiful than the last—seemed to have their own tale built into the fabric of their being. The rocks, with cracked lines, shunted edges, and overturned hides, wove a simple, solemn tale about the world. They had watched, waiting and listening, for something the happen. They slept with an eye open, but even in their waking hours they never seemed to be alert. It was as if they had been caught in a state of constant lethargy, but they were kind to me nonetheless.

The trees told a greater tale, full of age and mystery. Unlike the rocks, the trees had been alert and unrested. Their aging minds grew wild with thoughts of their sapling days, where they could still branch their roots out and feel themselves move. Now, they stood as the protectors of the stream and it’s creatures, sheltering it from the outside world. But trees are often presumptuous. They have lived for so long, they do not see the world for as it is, but as it has always been. They foolishly ignore the hearts of men, and the men before me could do little but crawl up the branches for shelter from various beasts. But now—now they come with axe and fire and steel, hungering for great conquests.

The grass told me about this. The grass has felt them tread long and far. Their soft feet, which had once been like a gentle touch, now hammered against them like nails with their steel-toed boots. Men ran where they once walked, and they tore up the grass to make way for their stone houses. Grass had its children shrivel up and die as men stole their drink, and choked to death by the machines of their wars. He told me of his cousin, the moss, who was fished from the waters and thrown to dry out on the banks. Grass had seen weary times, but had endured in places, both thick and thin.

In the distance, the mountain called out to me. She had seen the days, come and gone, and heard the warnings signs. Yet these days, nobody listened to the mountains. Her voice had grown slow, and as time moved faster, people no longer could pause to appreciate the wisdom she had to offer. Even I, the antithesis of my peers, felt the itch of hurriedness shoot through my veins as I listened.

But I found her words important, nonetheless. She had told me to remind men of the slower days—where they woke as they chose and slept as they needed. Where the food they ate was held sacred, and the animals they slaughtered had names and lives. She asked me to remember the stream, as I had remembered my family, and to keep it from illness and abuse. I cannot say that I, myself, can achieve my task alone. Yet on such a perfect day, I felt the urge to try. So I set out, not knowing what terrors lay ahead, to help my fellows stop their journey for a moment, and appreciate the flowers.

——

 

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GRANDEUR (AND OTHER HAIKUS)

I Did

“I should, I could, I…”

How long will you tell these lies?

How long till “I did.”

 

Wasted Journey

Five thousand miles

And all I have to show are

Hunger pains and scars.

 

Grandeur

Do not be afraid

Of your first steps in success.

Fear taking your last.

 

The Nightmare

The nightmare whispers

Through the crack in the closet.

“Sleep, dream, and be freed.”

 

Background

You loved another

So I showed my love for you

Through restrained silence.

——

 

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COVFEFE AND CLIMATE CHANGE

There is never a week that goes by when something entertaining isn’t going on. The Climate Change denial is real. The covfefe is real. The bragging about things that really don’t matter enough to be bragged about is real. But enough about Donald Trump. I can see the logic behind the argument against the Paris Agreement, but there is some fault in it. Namely, that if we don’t have a livable globe, the fact that someone is “for the people of Pittsburgh” is irrelevant. Because there will be no people left. Although, being for the people of Pittsburgh would indicate being for the people at all, which isn’t even clear to me. Though presenting a healthcare program that knocks some twenty million people off healthcare doesn’t seem to support a “for the people” position in the slightest.

Whatever. There are too many things to talk about today and I don’t want to get sidetracked through this whole post. Climate change. It is important because it is real. For anyone saying it isn’t real, take a moment and think to yourself: is it possible? If you answered yes, please read over the science, as I think you will find that your assertion is incorrect when presented with evidence. If you answered no, I’ll be responding personally.

So why not? Why can’t people cause climate change? Is it that the Earth is some sort of infinite object? For those of you reading along, this is one of the biggest reasons people don’t get climate change. They believe that the Earth is too big for us to have a real impact on it. This dates back to the Old Testament, and other religious inclinations that swayed society hundreds of years ago. The Earth is viewed as immortal, evergreen, etc. But think about it. It isn’t. It’s just a ball of matter.

Think of any ball of matter. Actually, lets think specifically of a ball of wood, the size of your hand. Put a lit match to that wood—just one. Now, it probably didn’t light up. Add in a few more matches. It might still not light up. But eventually, it will, right? Maybe after 10 matches, it lights up on the side, but dies out quickly. After 100, it ignites. That’s the problem with man-made climate change. It takes literally billions of matches to make an impact, because the Earth is huge. If you saw your house burning, you wouldn’t say “that’s nothing.” You would be thinking “Oh god! How do we put out this fire!?” The science is the writing on the wall, in the moments before ignition. The fires have started, and while some have burned out, people are still lighting matches. It won’t be long before it burns up.

Ok, yes it is true this is a bit of a crude metaphor, but it is a metaphor for a reason. And the logic is sound. The Earth is a ball of matter, like anything else, and it can only be burned so much. Pulling out of the Paris Agreement displays the ignorance of this situation. Truly caring for citizens—both of Pittsburgh and the rest of the world—is to protect them, their children, and all peoples there after.

——

 

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NOTHINGNESS

What is the value

Of nothing?

 

Think of that empty space

Between your hollow doorway

And the angry, outside world.

Nothingness has saved you.

 

Think of the silence that rests

Between your last words

And their first thoughts.

In those moments, the air

Feels heavier than the ocean

As its waves break against your back.

And yet it is lighter

Than the gentlest breeze.

 

Because the unknown is full of surprises,

And nothingness

Is the most unknown thing of all.

 

Nothing begets value.

For something to have worth

People must know what it means

To be worthless.

 

We fight, and burn, and bleed

Our whole lives away

So that we can be something.

Because to be nothing

Is to be worthless.

 

But I see the world

Through a different lens.

To be nothing is to be…

 

To be…

 

To be…

 

To be originality.

 

To be nothing is to be

The name that hides

In the corners of every room.

 

To be nothing is to be

The darkness in between

The shadow and the man.

 

To be nothing is to be

The blank page before

The writer begins their story.

 

To be nothing is to be

The catalyst of revolution

Tens years before the ideas

Spring into the philosopher’s mind.

 

To be nothing is to be great.

Because there is nothing

That can compare to it.

——

 

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LOVE POEM #42 – TO THE SEA

“To the sea,

To the sea,”

She cried out to me,

“To the sea!”

 

And with the brisk summer air

Riffling through her frizzled hair

We shuffled our way through the sand.

“To the sea!”

 

We had smuggled in red wine,

And were feeling mighty fine

As the children tottered by.

“To the sea!”

 

In her tie-dyed summer dress

Standing ‘fore the water’s crest

She looked like Venus born again.

“To the sea!”

 

And I took her hand in mine

Wishing I had a bit more time

Before it all came to an end.

“To the sea!”

 

But to savor what time I had,

I held myself to feeling glad,

And, for the last time, swam with her.

“To the sea!”

——

 

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THE SNAKE TOMB

The dream world snapped into existence before me, as if someone had flicked the light switch in a dark room. We were on a mountainside, staring out into the great expanse of the world before us. Ahead, there was a low valley basin, with golden-yellow foliage nearly a mile down. Beyond that, in the distance, there was a line of mountains, green with trees and stained lightly with the early hintings of winter snow.

“What are you dilly-dallying for again!” I heard a voice call to me. It was my cousin, a well cut man by all accounts. His eyes had the shine of adventure in them as we moved through the trees around us. I swallowed my response and moved after him. We were moving north, up the mountain to a small set of caves he had been told about by…something. I realized I had no idea how we had gotten there, or why.

The way up was treacherous. The ground was filled with muddy spots from the rainfall the previous night, and it slid and slipped unexpectedly with each new step. The lack of handholds caused me to constantly be gripping at thin air for balance. Eventually though, we found our way to the top, where there were a group of caves. They looked like three gaping mouths, ready to swallow us whole. We picked the one on the right, which opened the widest. The inside of the cave was blacker than midnight on a starless night, and I felt my own vision fade.

Once again, I awoke in the dream, at our destination, though I found myself alone. The place was a horrific sight. It was a cavern, filled with an industrial pool, which seemed out of place in retrospect, but in the moment the oddity fell to the background. The foreground was filled with an excessive number of snake bodies, as well as snake skins, spread throughout the room. They looked like the remains of a post-apocalyptic world. The bodies were rotting, like spoiled peaches, but the smell itself was far more rank than any fruit could be. I felt my stomach heave as I my eyes drifted along the pool. On one end, there was a massive snake, nearly ten feet long, and equally thick. Its skin looked half eaten, and pus poured from its one remaining eye. The empty socket was filled with the largest spider I had ever seen. It was curled up, but the black body was nearly the size of my head. Its long, spindly legs were pulled tight against its body. Fortunately, it appeared to be content where it was as I moved past it.

Suddenly, I felt the world careen before me as my foot slipped in a puddle of water. I put my hands out to brace my fall, but I plunged through the surface of the pool into the water. I splashed about for a moment, until I broke the surface to come back up for air. I cleared the water from my eyes, and looked ahead of me. Then massive snake was still there, staring off into the distance. Then, ever so slowly, its head began to turn. The sound of bones popping, snapping, and breaking filled the air as it came to look at me. The low hiss emanated from its jaws. The spider still clung there in its eye, which  stifled the red glow that had appeared there. From the other eye, the one covered with the remnants of its skin, pus dripped into the water while the reawakened beast pulled its focus on me.

Its jaws opened, and the stink of decay wafted through the air. My stomach churned. I had smelled death before, but it had never smelled quite so ancient. The beast reared back, then lunged toward me. It happened so fast, yet it appeared to me in slow motion. I could see the scales shift under its weight. The droplets in the air as I desperately scrambled to get away. It massive jaws surrounding my head. Then again, everything went black.

——

 

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STRAWBERRY FIELDS (AND OTHER HAIKUS)

Strawberry Fields

Strawberry fields

Hold the fruits of nostalgia

In the summer sun.

 

Blood Spilled

In the red sun rise

Nobody is left unscathed.

Even the clouds bleed.

 

Imagine

Take a moment and

Let your imagination

Make an end to the

 

Battlegrounds

Scale the wall and

Win the war. Build a door and

Never fight again.

 

Frail

The thin, aging lines

In my heavy, swollen hands

Torment youthful thoughts.

——

 

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WE ALL FLOAT DOWN HERE

I have always been interested in why it is that we like to see obscure, strange, and often grotesque images. Think about it. Have you ever seen a picture (or video) in which you had a strong guttural reaction to look away, but at the same time felt you had to keep looking? I mean, there is a cliché aspect to it when people say “I couldn’t look away,” but that was born out of something very real.

I have never been a big believer in any reality to mythology, but the stories are something that I have always found to be entertaining. Cyclopes’, gods, frost giants…they all add this sense of awe and wonder to an otherwise kind of boring life. I mean, think of all the times you have sat in front of a movie screen, and watched an action-type movie. Or a horror movie. Horror movies are a great example of something that gets the blood flowing (pun intended). I just watched the original “Stephen King’s It” this weekend, and Tim Curry as Pennywise was really quite a show. I mean, the movie has a real…cheesy 80’s vibe to it nowadays (which I guess it technically a 90’s vibe, since it released in 1990, but still). There is a reason “It” is getting a remake, and that’s because the unknown and the unreal is entertaining! And it looks SO SCARY in the trailer (which, if you somehow haven’t seen yet, you should go click that link and do).

Of course, if we’re not careful, I’ll derail this conversation into a movie critique post (though if you would want me to do that sometime in the future, let me know. I’m down for anything), since that is what we love about It. Not the plot twist at the very end about how its all a…oh wait some of you may not have seen it. But we love Pennywise. The creepy clown that fuels our adrenaline (and our nightmares). Back in the day, that was why people told scary stories around the campfire, or snuck up on unsuspecting friends to give them a frighten. It makes people feel alive to have their heart racing and their breath caught at the back of their throat. Not just lounging around, listening to repeated Louis C.K. albums all afternoon and evening (which I may or may not have done a few times before). And sure, maybe too much of that would cause a heart attack or something, but every once in a while is good for you. Exercise those reflexes, get used to the adrenaline rush, and maybe you’ll float too. 😉

What do you think? Do you like that rush of adrenaline? Is it something we should avoid? Let me know!

——

 

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THE END OF DAYS

If all men are dogs,

Then are all women frogs?

And are all mice men?

What’s that make children then?

 
But we all drink water;

We all have a father;

We all feel the pain

That’s driving us insane.

 

The pain of being alone,

Stuck inside a world

That’s bigger than our own.

 
Do you remember the days of old?

The days when our family

Was more valuable that gold.

 
Days before the calamity,

When we became preachers

Of goodness and chastity.

 
In the days where our leaders

Didn’t sell us out to greed,

And the land was our teacher.

 
Those days when we were free.

Free to be, you and me.

But those good days have long gone past,

The end of the world has come at last,

And machines order us throughout our days,

Because we let them put us in this haze.

——

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LOVE POEM #41 – THE STORY OF ALEXIA

When electricity made love rigid,

And enslaved men in their lusty livings,

The world itself seemed to grow frigid,

As nature was filled with such misgivings.

 

Time itself had grown old, aged, and weary;

The bolts of Zeus no longer cracked the sky;

Hades realm had been filled entirely,

And Poseidon’s sea kingdom had gone dry.

 

The great Zephyrus had breathed his last breath,

And Boreas ruled in the winter lands.

It seemed to me Eros had met his death,

And Aphrodite raped by evils hands.

 

But then came the spark, that flash of hot red,

That burned away the technology,

And we watched as the wicked turned and fled

Like a lost story in mythology.

 

They called her Rekka; Fira; Hestia,

And all sorts of other fiery names,

But by birth her name was Alexia

And the real fire was in her brains.

 

She found the fuel to burn down the kings,

Who had slaughtered the people she loved most.

And her vengeance gave revolution wings

Till the fire had spread from coast to coast.

 

And I tell you this tale so you know

That true love can defeat the greatest foe.

——

 

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